Strymon Flint: Tremolo and Reverb, the Perfect Marriage The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. It first appeared in historic amplifiers of the 1960s and has since landed on countless records, from early surf, swampy bayou blues, spaghetti westerns, and film noir soundtracks to modern indie rock. It’s essentially two pedals in one, with tremolo on one half and reverb on the other, built from carefully studied classic circuits and hand-crafted algorithms that account for every detail. Three Tremolos, Three Reverbs On the tremolo side, choose between the sonically complex ‘61 Harmonic Tremolo, the swampy and sultry ‘63 Power Tube Tremolo, and the sharp, balanced ‘65 Photocell Tremolo. On the reverb side, you get the classic ’60s Spring Tank, the inventive ’70s

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